Landslide Victory

Co-written and directed by Alexander Payne

The latest release from Paramount Pictures' bouncing baby, MTV Films, is set in a high school and has been inoculated with the usual doses of teenage angst, teenage wit and teenage lust. Here's the surprise: It declines to get down on hands and knees to woo Generation Y to the multiplex. Instead, Alexander Payne's Election, which is adapted from Tom Perrotta's splendid comic novel of the same name, casts its net wider -- trying to snare the my-God-can-I really-be-35-already? set as well as students of intermediate algebra.

The result is a lot headier than Beavis and Butt-head Do America, Dead Man on Campus or 200 Cigarettes -- some previous titles in the teen-oriented MTV library. In fact, the fresh charge of satire and the surreal spin director Payne lays on Perrotta's gem of a book represent improvements: It's a comedy with smarts that might appeal equally to adolescents and their parents.

It seems like only yesterday that Matthew Broderick was cutting class in Ferris Bueller's Day Off. He gets the grownup part here -- or what passes for the grownup part. He is one Jim McAllister, a history and current-events teacher at a suburban Omaha high school who takes his work, his moral authority and himself pretty seriously. He's an idealist who says he believes in the greater good, so he has no qualms about sabotaging a student-council election. The sole candidate for president, after all, is an insufferable teen striver named Tracy Flick (Reese Witherspoon), who just happens to be the same ruthless vixen who ruined the career of McAllister's best friend, a horny geometry teacher named Dave Novotny. At McAllister's urging, a popular but none-too-bright football player, Paul Metzler (newcomer Chris Klein), suddenly enters the race, and the comic bloodletting begins.

If Perrotta's book and Payne's movie went only this far, they would have something to say about the traumas of high-school life and the uses of petty power. Onscreen, we would still have the twin pleasures of Broderick's dead-on performance as a self-righteous semidork wearing Kmart chinos and spouting off about the distinction between ethics and morality, and Witherspoon's brilliant turn as a snippy careerist whose ambition seems to be ambition itself. But Payne is happy to push the envelope, just as he did in Citizen Ruth, his satire about a low-rent slattern caught up in the abortion debate. With startling ease, Election graduates from the prom-night obsessions of most teen movies to a wry examination of hypocrisy and desire at any age.

Before you know it, you've visited the basement where Jim McAllister hides his collection of pornographic videos. You've learned that Paul Metzler's younger sister Tammy (Jessica Campbell) yearns desperately for a classmate named Lisa Flanagan (Frankie Ingrassia). You see that single-minded Tracy Flick, every blond hair in place, is driven by a backstage mother. You find that long-married Jim McAllister, Professor Eat-Your-Peas in public, is not above putting the moves on his fallen best friend's toothy ex-wife, Linda (Delaney Driscoll). You learn that the school principal (Phil Reeves) is a birdbrain.

Perrotta's novel, which was set in suburban New Jersey, travels easily to middle-American Omaha, Payne's hometown. Obviously comfortable in his surroundings (he also shot Citizen Ruth there), the director leavens his satire with sympathy. The beautifully drawn characters we encounter here are not mere objects of scorn but human beings with blood running through their veins; they don't represent poses, they illuminate ambiguity. For every belly-laugh we get as the foolish McAllister scurries to organize a tryst with Linda Novotny at a local motel, we get an equally powerful jolt of pathos from the sheer desperation of his act. We laugh out loud at the goofy campaign speeches of the kids running for office -- three of them now, including Paul's resentful sister Tammy -- but we also feel the sting of adolescence gone awry.

Said another way, there's more than meets the eye and ear in Election -- a full-grown microcosm, in fact. Perrotta, a Yale grad who teaches creative writing at Harvard, says he was spurred to write his satire by two events -- the 1992 presidential campaigns, in which Ross Perot became the surreal wild-card, and the case of a Southern high-school principal who secretly invalidated a prom-queen election because the winner was pregnant. As an epigraph for his novel, Perrotta quoted William Trevor: "The world is the school gone mad."

For McAllister and Paul, Tracy and Tammy, school must seem like the world gone mad. Happily, this irreverent, sharply observant comedy sweeps us into the maelstrom, too. Amid the glut of teen movies rolling out of the studios every week, Election deserves special attention.

Opens May 7 at the Plaza Frontenac.
-- Bill Gallo

Co-written and directed by Alejandro Amenabar

We seem to be in the middle of one of those thematic blitzes that happen every now and then in the film world. Last year there was Dark City and The Truman Show; this year, so far, there have been EDtv, The Matrix and eXistenZ. Coming up in the next month or so is the Roland Emmerich/Dean Devlin film The Thirteenth Floor. And currently popping up among these studio projects is Open Your Eyes, a modest Spanish film that manages to provocatively address the same issues with a minimum of money and special effects.

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