By Danny Wicentowski
By Lindsay Toler
By RFT Staff
By Lindsay Toler
By Allison Babka
By Lindsay Toler
By Lindsay Toler
By Ray Downs
Editor's note: A correction ran concerning this story; see end of article.
Put yourself in the shoes -- make that paws-- of Tyger Cowboy, leader of the St. Louis-based UniFursal Zoo, a 60-strong group of anthropomorphic-animal enthusiasts. Known to the public at large as "furries" or "furs," Cowboy (given name: Christopher Roth) and his predominantly gay cohorts have been portrayed by the mainstream media as a subculture of sexually deviant freaks who like to, at best, dress up like Fredbird and do the wild thing in full regalia or, at worst -- how to put this delicately? -- take advantage of plush stuffed animals.
"They took the 1 percent of furry fringe," contends the six-foot-five-inch Cowboy, a travel agent by day who lives with his partner, Robert Norton, and four canines in -- where else? -- Dogtown. "They touched very, very lightly on the good."
The "good" to which Cowboy refers is the work he and his fellow fursuiters do for St. Louis-area hospitals, nonprofits and (hold the snickers) animal charities. The furs make appearances in area malls to collect money for the Open Door Animal Sanctuary and recently appeared at the Hairball event, held this year at the Pageant Theatre, which raised funds to benefit shelters for battered women. Still, libidinous public perception can make it difficult for Cowboy and company to get their tails and fangs in the door at, say, Cardinal Glennon.
A March 2001 feature in Vanity Fair outed furries as "people whose interest in animal characters goes further than an appreciation for The Lion King" and described "a little opening ... a tear in the seam" between the legs of a stuffed animal owned by a randy enthusiast. Occupying another spot near the center of the UniFursal Zoo's dartboard of dismay is Los Angeles-based photographer and filmmaker Rick Castro, a gay bondage enthusiast who produced a documentary on furries for MTV's Sex2K. As the series' name suggests, Castro's 30-minute segment homed in on certain attendees of a Los Angeles convention whose enthusiasm for all things anthropomorphic boiled down to throwing their cuddly stuffed dogs a bone.
Cowboy thinks Castro's coverage of the convention gave short shrift to mainstream furries, an offshoot of science-fiction fandom that gathered steam by way of fan zines and the fledgling Internet before exploding onto the science-fiction-convention scene in the plush in the '90s.
"It's probably the first social group created online that has become real," Castro says of the furries.
Castro, who has another furry documentary set to air in the near future on HBO's Real Sex, acknowledges that he focused his lens on the sexual aspect. "Because I've done fetish art my whole life, that's what clicked with me," the filmmaker says. "But soon after, I realized it wasn't just that. It was this whole social identity that crossed all borders. There were reborn-Christian furs, lawyer furs -- all walks of life. The only common bond was an interest in anthropomorphic attitudes."
But, argues Castro, sex is what sells: "Gay life -- is that all sex-based? No, but that's what originally drove the opinion of what gay people are for years."
Still, had Castro's film fleshed out a nuanced understanding of the fur, Tyger Cowboy's life would be a lot easier right now.
In a ritual akin to the pregame meal pro athletes share, Cowboy and six fellow furries are wolfing down chicken livers and medium-rare slabs of steak at Chris' Pancake and Dining near the Hill in anticipation of a few frames of bowling at Sunset Lanes in Crestwood on the Friday before Memorial Day.
Conversation centers on buying "plush" (furry vernacular for stuffed animals) on eBay and a debate about whether Richard Moll's perennially bald Bull on Night Court ever had hair. In other words, it's a scene not unlike the ones that take place at the outcasts' table in countless high-school cafeterias every day.
Two members of the group, R.C. and Quasi, have driven all the way from Carbondale, Illinois, for the semiregular roll. Most of the guys are in their thirties and are sporting shirts with caricatures of the animal they'll dress up as at the bowling alley, where management always reserves a private changing room for the group. Contrary to the Sex2K portrayal, this group of gay men exudes about as much lascivious energy as a bowl of milk-free Grape-Nuts (save for Quasi, who sports a T-shirt that proclaims, "Weapon of Ass Destruction").
After supper, the Furs make the short automotive migration to the bowling alley. Friday is "Cosmic Bowl" night at Sunset Lanes -- the lights are dim, Jennifer Lopez pulsates and gin-and-tonics run a mere buck-ninety.
With their fursuits stuffed in duffel bags, the furs saunter to the alley's easternmost two lanes. Norton -- Cowboy's live-in partner, who goes by the moniker Spiked Punch (a.k.a. Spike) when clad as a rottweiler -- whips out a glowing-skull bowling ball identical to the one Janeane Garofalo used in Mystery Men, a camp classic among this group.
"When we're suited up, our games tend to go down the hole," Spike warns, "except for Quasi, who actually does better in his suit."