By Ben Westhoff and Sarah Purkrabek
By Steve Brennan
By Joseph Hess
By Allsion Babka
By Kelsey McClure
By RFT Music
By Christian Schaeffer
By Gabriel San Roman
Ted, how is this a different outlet for you from what you've been doing in the past, playing drums for MU330?
Ted Moll: Playing live and playing with MU330, it's all about the energy and all about the interaction with the crowd. It's a more communal type of aspect. With Bagheera, it's much more personal. Because of the way it started, it wasn't meant for anyone to listen to but us; it was just something that we did. It was a private thing we had and we shared it with some friends and it expanded from that. This is a lot different. With Bagheera, it's definitely more on the intimacy of listening to stuff. It's meant to be listened to with headphones. There's no real conflict [between MU330 and Bagheera] in that sense, because they are two totally different ways that I appreciate music.
How does the songwriting process work? Do you have different concerns as songwriters?
Heather Dallape: It's changing now. Most of the songs I was writing were going to Climber, so most of the songs on the first album were all Ted, and then I'd come in and write for some of them and I wrote basslines on all of them, or I'd come and mess with what he'd already done. Whereas now, we're actually sitting down together and writing a song.
Ted Moll: Now we are starting from scratch together, and I'm actually a lot more excited about the newer stuff. It meshes the best aspects of both of our songwriting [styles]. — Christian Schaeffer