Current Shows

Ivy Cooper encapsulates the St. Louis art scene

Showcase 3: St. Louis Photography and Video InvitationalThe last of a yearlong series of exhibitions to spotlight local artists is an uneven affair, with some odd juxtapositions and scattershot themes. Eric Shultis' Small Thoughts and Memories (2004) plants tiny male nude images under magnifying glasses and in daguerreotype frames in a haunting, surreal wall arrangement. It's a strong work, inviting quiet contemplation. But two frenetic video loops share its space: Nanette Boileau's "Arcade" and Van McElwee's "Modular Meander" (both 2004). Boileau's piece employs a video montage that corresponds nicely to Carol Crouppen's large Polaroids of mixed-media collages. Works by Nanette Hegamin, Susan Pittman, Jennifer Colten Schmidt and Eric Post are somewhat bland by comparison; they may as well belong to another exhibition altogether. Through February 12, 2005, at the Sheldon Art Galleries (Gallery of Photography), 3648 Washington Boulevard; 314-533-9900. Gallery hours noon-8 p.m. Tue. and Thu., noon-5 p.m. Wed. and Fri., 10 a.m.-2 p.m. Sat.

Ernest Trova: Three Drawings and Paul Shank: Recent WorkOne of the best-known and most highly esteemed of all St. Louis artists, Trova still has the power to surprise and delight. With a mere three "drawings," he energizes the back gallery at Elliot Smith. Red Head and Black Head (both 2002) are painted aluminum outline images that charge their negative space and achieve a grace one does tend to associate with drawing. If the heads seem to converse with one another across the gallery, Variation (Hand) (2002) mediates the conversation. A thick, stacked steel form, the hand rests on a pedestal and gestures gently. Trova's inclination toward the boundaries of abstraction is taken to another level by Paul Shank, whose nineteen gouache and pastel works on paper animate the main gallery. Shank's compositions swing between flatness and depth, control and spontaneity. Rapid-fire strokes are hemmed in by an overriding logic. The clear reference here is Kandinsky, but Shank's finely tuned sensibilities and a sense of quiet color are all his own. Through January 8, 2005, at Elliot Smith Contemporary Art, 4729 McPherson Avenue; 314-361-4800. Gallery hours 10 a.m.-5:30 p.m. Tue.-Sat. -- Ivy Cooper

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