Current Shows

Ivy Cooper encapsulates the St. Louis art scene

Brandon Anschultz: ScapeLocal artist Anschultz is well-known around town for his slick, smart, painted pastel shapes on varnished plywood -- they're very neo-pop, very "now" -- but for this show, he has only included one of those works and surrounded it with nearly twenty other versions of landscapes. Some are tiny, printed and framed; some are fairly conventional oil works on canvas. There are op-artsy relief prints, such as LS Pattern (2004), that offer up a minimalist yet hallucinatory suggestion of a landscape. The project spills over from its closet-like space in the Contemporary Projects Gallery into two other spaces: In one City in a Bubble (2004-05), a large graphite line rendering of a composite cityscape on plywood, hangs alone; in the second a digital projection of Red/Green America (2005) offers dreamy landscapes fading in and out of focus. All told, it's an extremely well-conceived installation. Through June 5 at the Saint Louis University Museum of Art, 3663 Lindell Boulevard; 314-977-3399. Museum hours 1-4 p.m. Tue.-Sun.

Brancusi and Serra in Dialogue The Pulitzer is getting a lot of mileage out of Richard Serra, particularly a few large-scale pieces (Joplin and Standpoint in particular) that have graced the main gallery since the Serra solo show opened two years ago. (They're really heavy; I wouldn't move them either.) Now Serra's sculptures and drawings are paired with sculptures and photographs by Constantin Brancusi, whose interests intersect with Serra's in some fascinating ways. Their approaches to materials couldn't be more different -- Brancusi hacked away at wood and polished stone and bronze to a high, classical finish -- but all kinds of intriguing observations emerge out of this "dialogue," including the ways in which both artists treat (or dispense with) the pedestal, their interest in stacking pieces and relating individual parts to the sculptural whole. The small Cube Gallery now features an intense confrontation between Serra's Pacific Judson Murphy (1978), a black paint-stick piece that spans two walls; and Brancusi's Agnes E. Meyer (1929), a stately, totemic polished work of black marble. It's an inspired pairing, equaled by the strong juxtapositions throughout the show. Through July 23 at the Pulitzer Foundation for the Arts, 3716 Washington Boulevard; 314-754-1850. Museum hours noon-5 p.m. Wed., 10 a.m.-4 p.m. Sat.

Alan Brunettin: New Work In six smallish new paintings on display at Left Bank Books, Brunettin shows off the amazing variety of structural and color effects he's able to achieve within self-imposed limits of scale, subject and color. Each work employs just three colors and is titled after them, each depicts a decaying urban area that looks remarkably like parts of St. Louis, and each is worked over and under Brunettin's signature grid structure, which recedes and emerges, reminding us of the underlying organizational logic that persists, even when cities fade away. These are brilliantly nuanced works, neither overly nostalgic nor clinical. Another exhibit perfectly pitched to the intimate atmosphere of the store's lower level. Through April 3 at Left Bank Books, 399 North Euclid Avenue; 314-367-6731. Bookstore hours 10 a.m.-10 p.m. Mon.-Sat., 11 a.m.-6 p.m. Sun.

Keith Bueckendorf: Elsewhere and Steve Brown: Edges Local artist Keith Bueckendorf's works play out in a consistently engaging modernist scrawl, highlighted with cheery colors and figures that float, fly and morph into their own formalist schemes. Brown's photos, meanwhile, march in lockstep along the wall: six black-and-white images of garden implements, implying a violence to the land that is required by First World rules of real estate and property values. Deadpan, funny and revelatory, these two shows should not be overlooked on your way to the galleries upstairs. Through June 4 at the Sheldon Art Galleries, 3648 Washington Boulevard; 314-533-9900. Gallery hours noon-8 p.m. Tue. and Thu., noon-5 p.m. Wed. and Fri., 10 a.m.-2 p.m. Sat.

Dzine: Punk Funkand Ruby Osorio: Story of a Girl (Who Awakes Far, Far Away)and Alexander Ross: SurveyThree shows perfectly suited to one another and to the bright, airy spaces of the Contemporary. Chicago-based Dzine's psychedelic mural-size paintings look good enough to eat. They sound great too, accompanied as they are by music from the Parisian DJ Cam. In the next gallery, Alexander Ross' paintings are more calmly cerebral, but no less fun, suggesting fantastic cell structures, fungi and plants inhabiting cool-colored backgrounds. But it's Ruby Osorio's works that will hold your attention the longest. In her first solo museum exhibition, the LA-based Osorio covers the gallery walls with elfin girl characters in fantastical, flowery habitats. Osorio pins paper elements directly to the wall, or cuts and folds back paper segments of her works, producing brilliant effects that make the works come alive. Also not to be missed are the fabulous paintings by Katherine Kuharic, the latest in the Contemporary Project Series. Through June 12 at the Contemporary Art Museum St. Louis, 3750 Washington Boulevard; 314-535-4660. Museum hours 10 a.m.-5 p.m. Tue.-Sun. (open Thu. till 7 p.m. and Sun. till 4 p.m.).

Iain Fraser: Places of Mind Fraser's steel sculptures invoke the improbable architecture and the daring, imperative projects of Russian Constructivism. Ranging in height from less than two feet to more than five, the structures are poetic proclamations about past or potential cityscapes, with cantilevered branches, suspended rooms and contingent support systems. Fraser, a professor of architecture at Washington University, has clearly put a considerable amount of thought into the works and their content, as evidenced by the powerful quotes from Gaston Bachelard and Italo Calvino that accompany the pieces. The sculptures don't always rise to the level of the literature quoted, but this is truly food for thought. Through May 7 at the Sheldon Art Galleries, 3648 Washington Boulevard; 314-533-9900. Gallery hours noon-8 p.m. Tue. and Thu., noon-5 p.m. Wed. and Fri., 10 a.m.-2 p.m. Sat.

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