Hurrell's Men As chief photographer at MGM Studios in the 1930s, and as owner of his own studio after that, George Hurrell (1904-1992) developed a signature style that epitomized glamour, grace and the glory of old Hollywood. Though he photographed dozens of women throughout his career, this exhibition concentrates on his gorgeous, bronze-toned portraits of actors. Hurrell's subjects -- like Clark Gable, Johnny Weissmuller, Tyrone Power and Ramon Navarro -- are posed and in character, yet they appear intimate and genuine at the same time. Anyone who can make David Soul look sexy has got to be a genius! Don't miss the text panel on Pancho Barns, the flamboyant aviatrix who befriended Hurrell in the 1920s and collected all these photos. Through August 13 at the Sheldon Art Galleries, 3648 Washington Boulevard; 314-533-9900. Gallery hours noon-8 p.m. Tue. and Thu., noon.-5 p.m. Wed. and Fri., 10 a.m.-2 p.m. Sat.
Savage XMichelle X has reinterpreted tarot card imagery using live models and staged photographic tableaux. The images are dark and vaguely sadomasochistic -- bare breasts, someone licking the barrel of a gun, and the like. You can buy your own custom card set (if you must). Added to this are "new" interpretations of the seven deadly sins and the seven righteous virtues. Strictly for the least discriminating of the Goth set -- and even they will have seen it all before, in the 1990s, via Marilyn Manson and Trent Reznor. Through August 31 at the 3rd Floor Gallery, 1214 Washington Avenue; 314-241-1010. Gallery hours noon-4 p.m. Wed.-Sat.
Frankly, you should give a damn about George Hurrell's Hollywood men at the Sheldon.
Christina Shmigel: Chinese Garden for the Delights of Roaming AfarThis third installment in the Kranzberg Exhibition Series brings Shmigel back to St. Louis from Shanghai, where she has spent the past two years. She's been missed, but the change of scenery has done incredible things to her work and her visual sensibility. The exhibition unfolds as the visitor passes through the galleries. Framing elements are a leitmotif: A floating pavilion sets the stage, showing photographs of bamboo scaffolding -- a leitmotif taken from the constant formal flux of Shanghai, a city evidently under permanent reconfiguration. Photos of text messages evoke the city's chaos of communication, but this gives way to calmer, more contemplative and intimate encounters with light, shadow, text and cityscapes. The artist's signature connecting-pipe circuitry pops up here and there, transformed by this new context. Somehow Shmigel manages to make a hundred disparate strains coalesce in a delightful experience of another world, recognizable and yet far from home. Through August 30 at Laumeier Sculpture Park, 12580 Rott Road, Sunset Hills; 314-821-1209. Gallery hours 10 a.m.- 5 p.m. Tue.-Sat., noon-5 p.m. Sun.. -- Ivy Cooper