Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

American Music Club with Spoon

Thursday, November 10; Blue Note (17 North Ninth Street, Columbia)

Share

  • rss

By Randall Roberts

Published on November 09, 2005

Mark Eitzel has such an imposing presence that after American Music Club broke up in 1995, he seemed guaranteed a riveting solo career. But his solo records made it clear that a one-man Club is more like a pity party, and the rest of the band was the solid rudder that guided the clipper through the storm. Through seven albums (including their best, 1988's California), the group shined light on the darkness of boozing and losing by salting languorous country and ethereal pop with punk and a touch of twang. Sure, Eitzel's nicotine moan was overwrought; most drunken wordsmiths are. But American Music Club captured a truth that poked the heart. They reformed last year, and the melancholic many rejoiced at the arrival of Love Songs for Patriots, no great departure. But what did you expect, hip-hop beats? Get there early; they open for Merge Records labelmates Spoon.