Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Mark Eitzel

Candy Ass (Cooking Vinyl)

Share

  • rss

By Mark Keresman

Published on November 16, 2005

Singer, songwriter and guitarist Mark Eitzel, leader of on-again-off-again Bay Area heroes American Music Club, emerges with another album of artfully sarcastic, heartfelt observations on the moral, mental and emotional decay in American society. The ambiance of Candy Ass alternates between eerie starkness and dreamy lushness, as Eitzel's dusty, unaffected voice spins tales of mortality ("Song of the Mole"), the high price of love ("Sleeping Beauty") and generalized paranoia and angst ("My Pet Rat St. Michael"). The songs are bordered by surreal instrumentals — "Cotton Candy Tenth Power," for one, combines the user-friendly minimalism of Brian Eno with the fractured, surreal dissonance of Tom Waits. Most tellingly, the presumably sarcastic "A Loving Tribute to My City" is a queasy mélange of spacey Krautrock, mechanized dance beats, and samples of a female speaking in a baffled-sounding monotone. Eitzel aims to disorient, unsettle and provoke, and Candy Ass is an inspired choice for a fascinating, uneasy listening experience.