Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Yoko Solo

The Beeps (Quake Trap)

Share

  • rss

By Dave Segal

Published on December 14, 2005

Bay Area producer Brandon LaSan once literally schooled people — Oakland high school students and at-risk youths, actually — in the art of beat construction. Now he (metaphorically) does the same for esoteric electronic-music heads. LaSan specializes in cramming maximal amounts of data into his compositions; much of his second outing under the name Yoko Solo recalls fellow Bay Area denizens Meat Beat Manifesto, but with a more ADD-afflicted approach. While both artists seem enamored of science-fiction soundtracks, bizarre analog-synth effects (The Beeps indeed) and militantly funky breakbeats, LaSan comes across more as a child of video games' golden era. Whereas Meat Beat's Jack Dangers has a vault full of highbrow musique concrète LPs, LaSan likely harbors dozens of Nintendo and Sega products in his closet, channeling their fantastic visions into compositions that induce uneasiness and disorientation while jolting you into hyper-vigilant alertness. The Beeps will surely help you get your game on.