Social Commentary in Black and White This modest exhibition of prints by Tom Huck, Bill Fick and Richard Mock delivers a serious punch and a chance to see works by three of the finest, sickest printmakers working today, in one place. The show also features works by University City High School students who worked with Huck during his residency at the school. Printmaking is an immediate, forceful medium of communication. Huck's works are some of the finest prints being made, and he clearly has a talent for communicating with young artists, whose efforts carry jarring imagery and heartfelt messages. Through March 26 at the Center of Creative Arts, 524 Trinity Avenue, University City; 314-725-1834 (www.cocastl.org). Hours: 10 a.m.-6 p.m. Mon.-Fri., noon-5 p.m. Sat.-Sun.
Alfred StieglitzThis small (eleven prints) stairwell exhibition is a lovely survey of photography's early high period, as well as a telling tribute to an artist who is remembered as much for his editorial and curatorial work as he is for his own photography. Ranging from his late-nineteenth-century work in Germany to his far more abstract images from the 1930s, the works on view here include some of Stieglitz's best- and least-known photographs: the nostalgic November Days (1886) and The Old Mill are soft, glowing platinum prints; The Terminal (1893) is shown in its photogravure printed form in a 1911 issue of Camera Work; the small, moody "Equivalent" cloud images from the 1920s verge on total abstraction; and From the Shelton West (1935), a gelatin silver print of New York skyscrapers, captures the dramatic urban lines and contrasts that fascinated modern artists at the time. Whether you know a little or a lot about Stieglitz, this show is well worth a long pause in the stairwell. Through March 26 at the Saint Louis Art Museum, 1 Fine Arts Drive (in Forest Park); 314-721-0072 (www.slam.org). Hours: 10 a.m.-5 p.m. Tue.-Sun. (10 a.m.-9 p.m. Fri.)