By Jeremy Essig
By Jason Robinson
By Hans Morgenstern
By Joseph Hess
By Peter Gilstrap
By Julia Burch
By Jeremy Essig
By Nathan Smith
B-Sides: What film were you scoring?
Martin Fry: It's called Music and Lyrics By, with Hugh Grant and Drew Barrymore. Hugh Grant plays a guy who had some hits in the 1980s and is writing a song for a Shakira-type character today in 2006. I had to go and coach Hugh into singing, try some stuff out with him. It's mainly on the musical side of things that I helped out on, about five songs. Hugh's pretty down-to-earth, really. He just showed up and rolled his sleeves up; his voice is really good. He just didn't think it was very good. I just had to convince him it was.
How far along is the new record?
We're gonna write a couple more songs, and then put some strings on some of the tracks. We're nearly finished. We're gonna tour 'em, just trying out some of the new material on the new audiences. I don't know if I can get Hugh Grant to come with me to the show in St. Louis, but I'm going to be working on it.
He wouldn't want to come here anyway. St. Louis in June is hot.
Are you kidding me? He'd love it! When we were meeting, he was really intrigued about the whole singing thing. He'd love to do a few dates, I'm sure he would. I'm not suggesting for one moment he's going to be there in St. Louis; you've got ABC and we'll give you a great show. I could do his next three movies and he could do my next three albums.
What's been one of the weirder gigs you've done?
We opened up for Robbie Williams, who's really big in Europe. Massive. He plays football stadiums and stuff, we did those. Any shows where they have to hose down the first half a mile of the audience, those are kind of wild shows. We played a show once in Texas where there was chicken wire in front of the stage, I'll always remember that. I was standing there in my gold lamé suit. Nobody threw anything, but it was intimidating. There was about seventeen of us onstage. We just arrived in America with our Lexicon of Love tour and our little mini-orchestra and all gold lamé. It was a rude awakening, most of the audience was playing pool. They didn't have a mirrorball, they had mirror stirrups, like a saddle. That really struck a chord with me at the time. Annie Zaleski
6 p.m. Sunday, June 25. Main stage at Tower Grove Park, 4256 Magnolia Avenue. Free. www.pridestl.org
What's in a name? For organizers of the event now known as the U.S. Bank Saint Louis Jazz and Heritage Festival, adding the word "Heritage" to their moniker this year represented a way to hedge their bets in an uncertain booking environment.
"It allows us to broaden our programming a little bit," says Cynthia Prost, executive director of Cultural Festivals, the organization that stages the jazz fest. "Some years, you don't get a lot of choice on who's coming through. You're sort of at the whims of the touring schedules and budgets, too. We always have an idea, a list of who we'd like to get, but the reality of it is we just really have to wait and see who's available."
While acknowledging the continuing challenge of putting together the right mix of acts she notes that "a lot of big names" perform at summer European jazz festivals Prost is still excited about the lineup for the sixth edition of the fest.
On Friday, the event offers a New Orleans theme, with performances by the Preservation Hall Jazz Band and famed Crescent City pianist and singer Dr. John. The good Doctor may be best known to fans of blues and roots rock, but he's also quite conversant with jazz: He's recorded many standards and traditional tunes, and collaborated with master hard-bop drummer Art Blakey and saxophonist David "Fathead" Newman on 1990's Bluesiana Triangle.
In keeping with that New Orleans theme, festival patrons also will be encouraged to donate to the New Orleans Musicians Hurricane Relief Fund, a charity started by Preservation Hall's Ben Jaffe.
"I don't know that people really understand just how devastated New Orleans is, especially the musical heritage," Prost says. "This is a city whose musicians are just suffering. They've lost homes, instruments, jobs. It's very hard right now. So if we can make a statement and help some other people, too, that's what we want to do."
Saturday's headliners offer a distinct flavor of funk and fusion, starting with the Clarke/Duke Project. Vocalist Lizz Wright, a no-show for three previously scheduled dates here, is also set to finally make her St. Louis debut closing that night's show.