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Stars and BarsSlumber Party's Aliccia B.B. goes it alone, while B-Sides gives good Download and makes a mix of anti-patriotic songsBy Mike Appelstein, Michael Moore, Andy VihstadtPublished on June 28, 2006B-Sides understands if you're feeling a little Grinchy about this whole America-lovefest known as the Fourth of July what with our rising deficit, diminishing health-care coverage and, oh yeah, war. Thankfully, for every tune such as Lee Greenwood's "God Bless the U.S.A." or Neil Diamond's "America," there exists, say, Bob Dylan's entire early catalog. But here are a few modern tracks guaranteed to get your phone lines tapped. Artist:Ani DiFranco Artist: Green Day Artist: System of a Down Artist: Bright Eyes Artist: Pearl Jam Artist: Pink (featuring the Indigo Girls) Artist: Neil Young Sleeping Beauty Meanwhile, Berg (under her solo moniker, Aliccia B.B.) has one track, "Best Friend Forever," on The Sound the Hare Heard, a new Kill Rock Stars compilation of solo artists. (The album's namesake tour also features Berg, Southerly, Lauren Hoffman and Thao Nguyen.) In honor of the St. Louis tour stop, Berg kindly answered some questions from B-Sides about her current projects, while hard at work at her day job as a research scientist. (For the complete interview, visit www.riverfronttimes.com.) B-Sides: How do you know when a song is an Aliccia B.B. song rather than a Slumber Party song? Aliccia B.B.: It is all in the way I imagine the preparation and delivery to best suit the song. It becomes obvious to me just like I think I know not to order Italian lasagna at a Thai restaurant, though I know everyone in the kitchen can boil noodles. For the collaborative efforts of Slumber Party, I take into account such things as whether the folks I'm working with, knowing them, will respond to a particular song in the way I'd like them to. In the end there is more individualism, sympathy and empathy in the solo stuff. They are more personal story-songs. The sad songs are more sad when there is only myself to sing them. What can we expect from the next Slumber Party album? Expect an album that is like a cousin to the others. It's still obviously related but raised in different parts. I'm told by folks around Detroit that it sounds like it came from somewhere among the recordings of the Raincoats, Young Marble Giants, John Cale and Suicide. Lots more drum machine on this one. My brother says he can't imagine where I came up with the sound. Any particular reason the lineup has shifted so often? By design or circumstance? There is no particular reason. It is generally by design of circumstances. You're born and bred in the Midwest. To what extent does this define your worldview and/or music, especially as you've traveled and recorded for labels in other regions? I think I still act and speak and think like I'm from Minnesota. And I think I probably shouldn't do that, or I'm bound to get hurt.
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