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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
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The rise and fall of a chubby sex-cult leader.
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R.E.M.
And I Feel Fine The Best of the I.R.S. Years 1982-1987 (EMI)
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By Annie Zaleski
Published on October 11, 2006
Compile the best of R.E.M.'s earliest output on one CD, and it's easy to see why the then-quartet ultimately became one of the biggest bands in the world: optimism. That's the overwhelming feeling pervading Fine, a smartly sequenced collection spanning the Athens, Georgia, band's pre-major-label years. R.E.M. had nothing to lose (and everything to gain) as they evolved from freewheeling garage-rock poets to influential pop storytellers, and they were unapologetic about their lack of cynicism and unshakable confidence — a fact Fine underscores with the inclusion of tunes that are strident (a rabble-rousing "Begin the Begin"), winsome (the sepia-toned "Perfect Circle") and gloriously weird (the disco-funkin' "Can't Get There from Here"). But R.E.M.'s un-self-conscious innocence is most obvious in the way they infuse even the most melancholy songs with shimmers of hope. Pretty pop gems ("Fall on Me," "Talk About the Passion") dip and soar with jangly riffs — as joyful as they are nostalgic — while even the murky "Feeling Gravity's Pull" finds redemption in vocalist Michael Stipe's soothing falsetto.
Fine's limited-edition bonus disc of rarities and band members' favorite tracks is an absolute treat even for R.E.M. completists and bootleg-collectors. Especially choice are the delicate slow-dance alternate version of "Gardening at Night," a gorgeous, haunting demo of "Hyena," and mid-1980s live cuts (a rip-snorting "Life and How to Live It" smokes).
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