"I think audiences are getting tired of all those zillion-billion cuts," said Cuarón, a giddy cinephile who traces his fascination with elaborate camerawork from Hitchcock's Frenzy through the films of Tarkovsky and Hungarian director Miklós Jancsó. "It's the easiest thing you can do as a director: get a lot of cameras, shoot a lot of set-ups, and then hand the whole thing to your editor. But I think that slowly more interesting ways of doing cinema are getting into the mainstream. Or that's my hope, at least."
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