Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

!!!

Myth Takes (Warp)

Share

  • rss

By Terry Sawyer

Published on March 13, 2007 at 6:55pm

Louden Up Now, !!!'s last release, sounded like a Ph.D. student's disconnected deconstructions of Klymaxx and postpunk. But the new Myth Takes takes rhythm as seriously as an old-school jazz improvisation — and thereby succeeds in making the Raptures and the LCD Soundsytems of the world look extraordinarily shallow. Extended, almost mechanical grooves abound (give or take the occasional overwrought freakout found on songs such as "Bend Over Beethoven"), and Takes plays like some undiscovered white-label flipside from the early '80s, a buried electro classic that only the most discriminating DJ would bust out at the end of the evening. Singer Nic Offer still makes for a somewhat awkward fit in the mix, with his concave Tiga hiss and a nagging sense that he's forever playing catch-up with the thumping sprawl of his seven bandmates. But hints of Talking Heads, Prince, Cameo and even Neu crop up in the densely layered undercurrents of drums, fiddling guitar and slabs of funk, all of which compete for face time on this ambitious party record.