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David Bazan

9 p.m. Thursday, April 19. The Billiken Club at Saint Louis University (20 North Grand Boulevard).

With the implosion of the artful indie-rock band Pedro the Lion and the indeterminacy of electronic project Headphones, David Bazan chose to reassert himself as a control freak in the privacy of his own surrealism, rather than as a freak trying to control band dynamics. On last year's Fewer Moving Parts, he savors revenge — "You're so creative with your reviews of what other people do" — and confesses that his own creative process re-channels neuroses, if not sadism. "So every time I find a girl beaten, gagged and bound," he sings with shifty self-discovery, "I let her go and write it down." Bazan sings and plays his mind, whether he's savaging the inhuman politics of a "Backwoods Nation" or unearthing melodies from the hurdy-gurdy of bulky synths, chunky guitar chords and splattering drums.

 
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