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Recent Articles by Richard Gintowt

  • Ratatat

    9 p.m. Saturday, August 30. The Gargoyle, on the campus of Washington University at Forsyth and Skinker boulevards

  • Bang Camaro

    8 p.m. Sunday, May 25. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City

  • Uh Huh Her

    9 p.m. Friday, May 2. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City

  • Supersuckers

    7 p.m. Monday, February 11. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.

  • The Ponys/Deerhunter

    9 p.m. Saturday, April 21. The Billiken Club at Saint Louis University (20 North Grand Boulevard).

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

The Ponys/Deerhunter

9 p.m. Saturday, April 21. The Billiken Club at Saint Louis University (20 North Grand Boulevard).

By Richard Gintowt

Published on April 18, 2007

 The Ponys' Matador Records debut, Turn the Lights Out, is an early best-of-2007 candidate, but the dirty-cool collection could probably have earned the same accolades in 1977. Recalling proto-punk acts such as the Fall and Television, the album showcases dark, woozy, reverb-laden garage rock with hands-off production and minimal overdubs. New guitarist Brian Case (late of 90 Day Men) facilitates cleaner compositions without sacrificing the raucous energy that characterized the group's first two LPs for the In the Red label. Tourmates Deerhunter are a bit rougher around the edges, crafting murky psychedelic jams reminiscent of Spacemen 3. The band's latest LP, Cryptograms, has received kudos and rotten apples in equal measure, setting the stage for a tour placed squarely under the indie-cool microscope.



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