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National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Off the Wall

By Paul Friswold

Published on May 30, 2007

 New World -- Lost Days, Cameron Fuller’s solo show at Fort Gondo in February of this year, revealed Fuller’s interest in both process and narrative. Fuller’s wall-mounted flat sculptures -- constructed of paper animal silhouettes and delicately wrought lace (all cut by hand) -- displayed a sense of heavy drama as well as a remarkable attention to craftsmanship. His tape vignettes took the craftsmanship element even further; Fuller built a multiperspective, two-dimensional room on Gondo’s back wall with strips of blue and black electrical tape, “drawing” the angles of wall and ceiling and furniture with the tape directly on the actual wall. Depending on where you stood, the piece appeared to be either a three-dimensional construction or an off-kilter, two-dimensional representation of another room. Fuller shows more of his evocative work in the new group show Fast Times at White Flag Projects, the final exhibit of the season at White Flag Projects (4568 Manchester Avenue; 314-531-3442 or www.whiteflagprojects.org). All seven of the artists showing are BFA or MFA candidates at area universities; the show opens with a free public reception from 7 to 10 p.m. on Saturday, June 2. White Flag Projects is open Wednesday and Saturday, and the work remains up through Saturday, June 30.
Wednesdays, Saturdays. Starts: June 2. Continues through June 30



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