Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Left Arm

Dissatisoul

Share

  • rss

By Christian Schaeffer

Published on November 27, 2007 at 6:29pm

The garage-rock combo Left Arm started as a two-piece, morphed briefly into a quartet and has now settled in as a nervy, primal trio. It's an ideal state for the Edwardsville, Illinois, band: There's no fat or fluff on these songs, just a lot of fuzzy bass, thick riffs and plenty of 'tude. Drummer and singer Jason Potter sounds like he's using twelve-gauge drumsticks, clubbing away at his snare and socking the loose hi-hat like a broken jaw. Dissatisoul combines seven new tracks (recorded with Joe Stumble, who's since left the band, on guitar) along with five songs from last year's Play 5 Songs with a Caveman EP (recorded with a two-guitar lineup). Stumble's guitar playing adds an eerie level of atmosphere to the album's first half; he can spit out riffs all night long, but his squeals and squalls give a new dimension to these songs.

By design, there is not a lot to say about garage-rock lyrics in general, and Left Arm is no different: some girls are hot, some hot girls are troublesome and rock & roll is our only salvation. The words may be space-fillers, but the delivery of the songs (sung by all three members) embodies the grit, energy and recklessness of the music. The best of the bunch is the Jello Biafra-meets-the-Cramps stomp of "Gotta Go," in which Potter exhorts the crowd to anoint themselves with "the holy barbecue sauce of rock & roll." In that case, call me a pork steak and bring on the Maull's.

Want your CD to be considered for a review in this space? Send music c/o The Riverfront Times, Attn: Homespun, 6358 Delmar Boulevard, Suite 200, St. Louis, MO 63130. E-mail music@riverfronttimes.com for more information.