Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Roma 79

9 p.m. Wednesday, December 26. The Bluebird, 2706 Olive Street.

Share

  • rss

By Shae Moseley

Published on December 18, 2007 at 6:19pm

In 2005 San Francisco's Roma 79 quietly released a very underrated album called Gold. Recorded by Carl Amburn (Traindodge, Riddle of Steel) and released by St. Louis' Ascetic Records, Gold relied on many hallmarks of Midwest post-rock — i.e. gritty, dissonant guitars, growling bass lines and huge drums. But Roma 79 sets itself apart with catchy and melodic vocals, shoegaze-inspired atmospheres and (gasp) harmony. With a new full-length on the way, the band appears to be retaining the same vocal approach, but pointing its music in a more prog-oriented direction. The new "Shapes They Had to Build" relies heavily on vintage-sounding synthesizers in the vein of Genesis — and slowly builds to a dreamy chorus, bringing to mind the highly involved arrangements of Tears for Fears.