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National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Th' Legendary Shack*Shakers

8 p.m. Saturday, January 12. Throttle, 720 North First Street.

By Christian Schaeffer

Published on January 09, 2008

What the swamp-boogie badasses in Th' Legendary Shack*Shakers lack in fancy manners and social graces, they make up for in scope and ambition. Singer and harpist J.D. Wilkes refers to its most recent album, Swampblood, as the final installment of the band's "Tentshow Trilogy." While earlier albums dealt with faith revivals and freak-show carnival barking, Swampblood delves deeper into the Southern-gothic-hued heart of darkness. Luckily, you don't need to know the back story to enjoy the rough-hewn roots-rock and hillbilly stomp of the four-piece band. This time around, the lurking doom of heavy metal peaks out from the corners of the Shakers' banjo plucks and harmonica hurricanes, giving a heaping dose of doom and gloom to these songs of sin and redemption.



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