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Recent Articles by Christian Schaeffer

  • David Bazan

    9 p.m. Friday, December 5. Billiken Club, in the Busch Student Center on the campus of Saint Louis University, 20 North Grand Boulevard.

  • Harry Connick, Jr.

    7:30 p.m. Sunday, December 7. The Fabulous Fox Theatre, 527 North Grand Boulevard.

  • Shawn Colvin

    8 p.m. Wednesday, December 10. The Pageant, 6161 Delmar Boulevard.

  • Cassie Morgan

    Pine So Sweet EP
    (self-released)

  • Celluloid Cool

    Movies with that certain something

National Features >

  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Bill Callahan/Jonathan Meiburg

9:30 p.m. Friday, February 29. Blueberry Hill's Duck Room, 6504 Delmar Boulevard, University City

By Christian Schaeffer

Published on February 26, 2008 at 6:29pm

With an affectless baritone voice and sheaves of poignant, idiosyncratic songs, Bill Callahan cut a dashing figure as the man behind Smog, one of first and best one-man bands in the early-'90s underground. Callahan began an identity shift as Smog became the parenthetical (Smog), and eventually just chucked the whole dirty business and is now flying under his own name. Whatever the spine of the CD says, Callahan's version of lo-fi, low-end indie rock mutates every few records, from mannered orchestration to dirty, dirge-like blues. Folksy lightness even permeates many of the best tracks on last year's Woke on a Whaleheart, the first record under his Christian name. The circular, hypnotic "Sycamore" sounds like Lou Reed's "Satellite of Love" as played at a Devendra Banhart campfire jamboree. Later on the album, a simple piano figure guides "Night" as Callahan turns reflective. Jonathan Meiburg, better known as the keyboardist for Okkervil River and the leader of Shearwater, opens the show.



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