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  • Phoenix New Times

    Pen Pal

    The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.

    By Paul Rubin

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

The Redwalls

9 p.m. Friday, February 29. The Bluebird, 2706 Olive Street. $10 advance, $12 day of show

By Shae Moseley

Published on February 26, 2008 at 6:28pm

In the early part of this decade, Chicago-based rock nostalgists the Redwalls were touted as likely candidates to carry the torch of garage-rock revivalism even further into the mainstream consciousness. But though the "next big thing" tag never stuck to the band the way that major-label executives banked on, the Redwalls managed to adapt and survive. In fact, the band has never stopped working, releasing two full-lengths and a homemade EP and touring Europe in support of Oasis. The Redwalls' self-titled 2007 release churned out yet more timeless pop with catchy melodies and effortless sibling harmonies. The album's more spacious production conjures a bit of Phil Spector romanticism and adds more mystery to its infectious arsenal. On the bouncy, echo-drenched single "Modern Diet," lead singer and guitarist Logan Baren laments that it's all been done before. Well, maybe it has, but it still sounds damn fine.



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