By Roy Kasten
By Kris Wernowsky
By Chaz Kangas
By Joseph Hess
By Julie Seabaugh
By Mike Appelstein
By Rachel Brodsky
By Kelsey McClure
Refers to: A conflation of the title and lyrics ("Burn down the disco!") taken from the Smiths song "Panic" (apparently; other sources claim the band's name comes from a song by Name Taken).
Would Morrissey approve? Probably not, as Mozzer always needs to be the most dramatic person in the room — and Panic at the Disco's collective angst is blinding.
Refers to: Smiths' "Shakespeare's Sister"
Sounds Like: After leaving kicky new-wave girl-group Bananarama, Siobhan Fahey embraced her inner goth with this poppy dramatic duo, whose hits ranged from orchestral glamour ("Stay") to Cure-lite ("I Don't Care").
Would Morrissey approve? Totally. Shakespears Sister nails the velvet-swathed dark-vamp aesthetic and owes quite a debt to Siouxsie Sioux — Moz's duet partner on the '90s rarity "Interlude."
Refers to: A song of the same name found on the Smiths' 1984 self-titled debut LP
Sound: Post-hardcore throttling and melodic pop driven by Andrea Zollo's siren-like vocal bittersweets.
Would Morrissey approve? Yes. Closest in sound to Girl in a Coma, PGMG's calls-to-arms were urgent without being histrionic.— Annie Zaleski
9 p.m. Wednesday, April 9. The Bluebird, 2706 Olive Street. $8. No phone. www.bluebirdstl.com.