By Drew Ailes
By Mabel Suen
By Drew Ailes
By Joseph Hess and Mabel Suen
By Kenny Snarzyk
By Dave Geeting
By David Thorpe
By Ben Westhoff
I think what you're getting at is we just weren't cool. More than I feel country alternative, Americana, any of that stuff, I feel a connection to bands from the South. But I think what makes us different from Skynyrd or the Allmans is that we came up at a different time and heard different music growing up. We loved Hüsker Dü and the Replacements, the Clash and X. I do feel a part of that Southern music world, and it's been perceived as cool or uncool at different times, but now I'm at an age where I just don't care.
As a guitar player, and the three of you as a band, you could do the Southern jam band thing. But you don't.
I do love the Allman Brothers and the North Mississippi Allstars, but the thing about us is we're song-oriented. If there's a guitar solo or jam, it's going to be secondary to the song. For me, I want to play 18 to 21 songs a night. I have noticed, though, that our audience has started to draw more from that jam scene. I think that's great.
Would you put the breakup of Blue Mountain to the end of your marriage with Laurie, or was it the other way around?
I can't really answer that question. A lot of bands tend to fracture after eight, nine, ten years. Being in a band can be tough on a relationship. I think that's true if you're brothers or high school buddies or married. I think both things imploded from too much togetherness. Laurie and I talk about it now, and we don't think of the first run of Blue Mountain or our marriage as a failure. We were together playing music together for ten years, and we spent more time together than most couples spend in forty. And most of those times were really great times. — Roy Kasten
9 p.m. Thursday, April 17. Lucas School House, 1220 Allen Avenue. $10 in advance, $12 day of show. 314-621-6565.