Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Pela

9 p.m. Monday, June 2. The Bluebird, 2706 Olive Street

Share

  • rss

By Shae Moseley

Published on May 27, 2008 at 12:34pm

After a chance meeting in a New York subway station in 2004, Billy McCarthy and Eric Sanderson wasted no time forming Pela. The classically trained pair recruited three other Brooklyn musicians and quickly self-released two promising EPs. But Pela's debut full-length (2007's Anytown Graffiti) saw the band realize its potential. Heavy bass grooves and slightly shoegaze-inspired guitar textures create falling waves of wistful ambience upon which the band's dreamy soundscapes glide. "Lost to the Lonesome" was one of the catchiest songs of last year, its hard-driving bass drum, touches of eerie church organ and crunchy guitar lines matched only by McCarthy's rambunctious, jarring vocals. The band's future was in doubt for a short time recently when the singer fell on broken glass during a Chicago show and suffered a severe gash to his left hand. But after surgery and physical therapy, McCarthy recovered and Pela immediately headed back on the road — demonstrating the kind of perseverance the band needs as it prepares to make its next studio album and searches for a new label.