Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
Exposing a construction-site scam only a San Francisco cop could love.
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
The gyrating, experimental art-core created by Lawrence, Kansas, indie rockers Ad Astra Per Aspera is reminiscent of the boundary-pushing noise rock of Sonic Youth and the post-hardcore dissonance of Fugazi. Yet it's difficult to pinpoint exactly what makes this quintet click — mostly because its music is constantly morphing and genre-jumping, as it combines hints of dance-punk and post-rock with mathy, contorted noise sections and vocals that jump from whimsical to high-pitched screaming. The recent seven-inch "Danger Bird Blues" commences with a burst of screeching feedback and a 40-second intro packed with an atonal circus of interwoven guitar and piano lines; its slithering bass line sounds like Motown played backward before maniacal screams take over and lead to a berserk and frantic crescendo of noisy madness.