Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Alina Simone

8 p.m. Wednesday, July 30. Lucas School House, 1220 Allen Avenue

Share

  • rss

By Shae Moseley

Published on July 28, 2008 at 2:59pm

Alina Simone's second album, Everyone is Crying Out to Me, Beware, is a collection of cover songs from underground Russian punk-folk singer Yanka Dyagileva. Simone, who herself was born in the Ukraine but came to the United States as a baby, said in a recent NPR interview that the choice to record an album where she sings entirely in Russian was a chance for her to reconnect with her family's culture and to bring the country's rock and punk-folk tradition to the attention of people in America. But these grander intentions would be moot if the music on Everyone didn't compel the listener to find out more about the origins of Dyagileva's music. Its songs are packed with emotional intensity, while the Eastern-European flavor of these arrangements provides a glimpse at Cold War-era Russia, which is when Dyagileva wrote these dark folk laments. "Half of My Kingdom" is a stripped-down, forlorn dirge that floats along on Simone's lo-fi acoustic strum; her desperate voice veers between delicate and wispy and gritty and powerful, calling to mind Sleater-Kinney's Corin Tucker.