Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • SF Weekly

    Turning the Tables

    "Hey, Mr. Deejay: Bend over and spread 'em."

    By Lois Beckett

  • City Pages

    Big Farma

    Meet the Minnesotans who receive federal subsidies for not growing anything.

    By Matt Snyders

  • Village Voice

    Rent-a-Wreck

    We begin our countdown of New York's Ten Worst Landlords.

    By Elizabeth Dwoskin

  • Broward-Palm Beach New Times

    The Grow House Murder

    The sweet smell of ganja was a dead giveaway. So was the dead body in the freezer.

    By Gail Shepherd

Bill Morrissey

7 p.m. Sunday, September 7. The Focal Point, 2720 Sutton Boulevard

Share

  • rss

By Roy Kasten

Published on September 02, 2008 at 12:31pm

The music-geek wars between the rockists and the poptimists laid waste to logocentrism — the obsessive privileging of song lyrics — but Bill Morrissey survived the critical carpetbombing. As the lyric laureate of New England, his songs have the narrative grace of John Cheever's short stories, but also the compositional purity of Leiber and Stoller's hits and the intricate instincts of Mississippi John Hurt's blues. Morrissey's lines are so well crafted and shrewdly rhymed that it's easy to forget his supple melodies, his precise timing, his droll phrasing and his musically full finger-style guitar technique. Last year he released his eleventh album, Come Running, a suite of traveling, love and war songs, sung with sandpapered soul and played like every note matters more than words — however fine — could begin to say.