Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Dredg

8 p.m. Wednesday, November 19. Fubar, 3108 Locust Street.

Share

  • rss

By Shae Moseley

Published on November 11, 2008 at 2:18pm

Surrealist post-prog rockers Dredg haven't released an album since 2005's Catch Without Arms. But a new record seems imminent: The San Francisco quartet entered the studio earlier this year with producer Matt Radosevich (the Hives, Two Gallants) after nearly two years of writing and recording demos of new material. Internet speculation suggests that the new record will be a concept work — much like the band's previous three albums, which focused on topics ranging from the plight of a road-weary traveler in search of moral redemption (1998's Leitmotif) to the strange phenomenon of sleep paralysis (2002's El Cielo). Dredg is a powerful live force that creates an unrelentingly heavy wall of guitar noise, but like a more metal-influenced Explosions in the Sky (or a less pop-centric Coheed and Cambria), Dredg's strength lies in its ability to tell a very involved story mostly through subtle dynamic shifts in mood and texture.