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A short list of St. Louis's most popular hot spots.
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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
The Faint
8 p.m. Friday, December 12. The Pageant, 6161 Delmar Boulevard.
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By Richard Gintowt
Published on December 09, 2008 at 3:56pm
The Faint have been churning out dystopian robot music since the dawn of electroclash and the trend toward vocoders in R&B. The group's epileptic beats and magnetic synthpop hooks have inspired many a disaffected hipster to bust into fits of herky-jerky dancing. The Omaha band's fifth album, Fasciination, is its first self-released effort, but Todd Fink and company are still obsessed with icy industrial sounds, even as they've embraced a circuit-bent sensibility that clutters each track with a hundred blip-bloop permutations.
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