Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Sham

9 p.m. Saturday, January 3. The Bluebird, 2706 Olive Street.

Share

  • rss

By Annie Zaleski

Published on December 29, 2008 at 5:16pm

Although the Sham hails from St. Louis, the band sounds like it honed its dreamy indie rock in the Pacific Northwest. The young quartet's debut EP, The Only Builder, features smoothed-out guitars, understated drums and the occasional tinny keyboard, all of which recall the introspective lo-fi maelstroms of early Death Cab for Cutie. Standout "Roller Skates" finds the Sham channeling the crinkly, wiry atmospheres of Modest Mouse, while Chris Phillips' vocals echo (but don't ape) Built to Spill's Doug Martsch, Death Cab for Cutie's Ben Gibbard and all sorts of indie dudes who can actually carry a tune. In concert, the Sham treads the same strum-rock ground the Strokes did a few years back, but with much more verve and a decided lack of snotty boredom.