Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Black Diamond Heavies

9 p.m. Thursday, January 15. The Bluebird, 2706 Olive Street.

Share

  • rss

By Shae Moseley

Published on January 12, 2009 at 2:44pm

The overdriven Fender Rhodes keyboard and smoky, sandpaper rasp of singer John Wesley Myers provide the sonic backdrop for the Black Diamond Heavies' Southern-tinged, punk-influenced blues and soul. But the act stands out for its fearless — and absolutely raunchy — approach to recording. On songs like "Bidin' My Time" and "Poor Brown Sugar," the duo fills extra space with skull-rattling trash-can drums that reverberate like distant artillery shells, and a guttural vocal delivery that sounds like the microphone is attached to Myers' violently shuddering larynx. In a live setting, the Black Diamond Heavies delivers an animated show that reflects this colorful approach: At one moment, the band's songs recall a whiskey-soaked nightclub dance floor — and the next, a stirring Baptist revival.