By Carolina de Busto
By Ben Westhoff and Sarah Purkrabek
By Steve Brennan
By Joseph Hess
By Allsion Babka
By Kelsey McClure
By RFT Music
By Christian Schaeffer
Last week, Bruce Springsteen released Working on a Dream, his sixteenth studio album. To mark the occasion, writers Steve Kozel and Christian Schaeffer had an e-mail volley over the merits of the new work. Read the entire review at blogs.riverfronttimes.com/atoz.
Steve Kozel: [2007's] Magic was a testament to Bruce's continuing prowess as a pop songwriter, with "Livin' in the Future," "Girls in Their Summer Clothes" and "I'll Work for Your Love" all emerging as standouts. Springsteen has since explained that the recording of Working on a Dream was a result of his continued enjoyment in working with producer Brendan O'Brien (who helmed both records, as well as 2002's The Rising), and a renewed excitement for crafting pop music and channeling it through the legendary E Street Band. With that said, I can't help but hear Dream as a bundle of Magic b-sides. Where did the magic go?
Christian Schaeffer: I'm likewise wary of the speed with which this album was released — I love that Bruce has a surplus of songs and the enthusiasm to put them to tape, but some of these could have gestated a little longer (and Springsteen's b-sides and castaways are hit and miss, in my opinion). I'll admit that the songs from Magic didn't catch me until I saw them performed live at his show last August at the Scottrade Center. In that context, a few of them were as memorable as his marquee songs.
But maybe your issue isn't just the songs but the sonic similarities to much of Magic. "This Life," with Bruce's stately, vibrato-heavy vocals, sounds like a retread of the wonderful "Girls in Their Summer Clothes" (Magic's curveball, if it has one). But this has always been the problem with the E Street sound — if you pepper in too much of the hallmarks (sax solos, glistening piano crescendos), it sounds like a retread. If you use too few, people ask, as you do, where the magic went.
SK: Dream isn't devoid of success, and I wouldn't even call it a failure — it seems more like a disappointment. If Magic had been a debut, this has the air of a sophomore slump. The record's highlights, however, continue to prove Springsteen's impeccable guile as a musical voice. "Life Itself" is a smoky, haunting meditation on the winds of change that clicks along like an over-wound clock, and the album's title track marks yet another example of the Boss' uncanny ability to channel the voice of the working class. This time, it's set afloat on an airy chorus that laments "I'm working on a dream/though sometimes it feels so far away." Blue-collar America can certainly share the sentiment of despair, but as our country enters into the era of Hope, Change and Obama, which title track seems like the timelier anthem — "Dream" or "The Rising"?
CS: I think that working-man aesthetic comes at the nadir of the record, "Queen of the Supermarket." It's everything that critics find loathsome and sanctimonious about Springsteen — a vaulted singer trying to inhabit the working-class, blue-collar miseries that pass before him. Remember that Bruce was never a ditch-digger or steel worker — his middle-class cred was passed down from his parents, but the guy's been playing guitar for a living since his early twenties. Maybe his earlier songs about the working man (from the solemn "Factory" to the ebullient "Out in the Street") worked due to his youth, but "Queen" gets pretty close to parody.
SK: You know, I had the same thought. Aside from the blush of embarrassment I get when I hear him sing the word "supermarket" (although I suppose it's slightly better than "grocery store"), this song suffers from the overall cheesiness inherent in a song with a youthful lyrical voice written by a songwriter who can only be described as "young at heart." Now, Bruce is obviously more than capable of reminiscing in his narratives, but this feels more like one of his signature character inhabitations, and it just doesn't work for me. Maybe I just need a shiny music video starring two fresh-faced actors to paint a picture for me, and it will all come together.
CS: Do you think Courteney Cox is still available to reprise her role from the "Dancing in the Dark" video?