Featured Review: Arny Nadler

Arny Nadler This exhibition of sketches and studies for the large-form sculpture series Beacons, which debuted this past fall at Philip Slein Gallery, reveals the material nuance and nearly domestic origins of these otherwise crude and imposing works. In their maquette state, the vessel forms of expertly welded steel resemble closed and unfillable vases, delicately painted a slate shade that appears half metallic and half earthen. The finished works, on the other hand, were larger than life and suggested a desire to endure hard weather, and possibly to serve as staunchly fortified refuges. To see the work in both scales underscores the way it reimagines the classic twentieth-century dichotomy of the industrial behemoth versus the minutiae of the human hand. Through May 24 at the Millstone Gallery at the Center of Creative Arts, 524 Trinity Avenue, University City; 314-725-6555 or www.cocastl.org. Hours: 10 a.m.-5 p.m. Mon.-Fri., noon-5 p.m. Sat.-Sun. or by appointment.

Arny Nadler, Wintering, 2004.
Arny Nadler, Wintering, 2004.

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