St. Louis Stage Capsules

Dennis Brown, Lew Prince and Paul Friswold suss out the local theater scene

Newly Reviewed
Circus Flora Reviewed in this issue.

Little Shop of Horrors Director Michael Hamilton focuses the cast's efforts on the "comedy" more than the "horror" part of Howard Ashman and Alan Menken's horror-musical comedy, and that's fine — until we witness Seymour (Ben Nordstrom) feeding what appears to be three feet of lower intestine to blood-hungry plant Audrey II (voiced in delectable basso profundo by Geno Segers), under strobing lightning blasts. It's a shockingly graphic scene and a touch incongruous with the light tone previously established. But the show is overwhelmingly fun and family-friendly, mostly thanks to Nordstrom's endearingly nebbishy Seymour, a loose-limbed bundle of eye pops, open-mouthed gasps and spontaneous outbursts of repressed passion. Maria Couch's portrayal of his love, Audrey, is equally fantastic. Todd Dubail wrings every erg of sadistic glee from villainous dentist Orin Scrivello, and the murderous Audrey II is visually stunning in her growth and mobility; puppeteers Marc A. Petrosino, Monte J. Howell and Shaun Sheley do bang-up work bringing her to life. Presented by Stages St. Louis through June 28 at the Robert G. Reim Theater, 111 South Geyer Road, Kirkwood. Tickets are $48 ($28 for children, $45 for seniors; rush seats for students and seniors $15 at the door). Call 314-821-2407 or visit www.stagesstlouis.org. — Paul Friswold

Il Re Pastore Reviewed in this issue.

Ongoing
Blues in the Night Held together by the loosest of plots — three women in a Chicago hotel lament their solitary status by singing the blues — Sheldon Epps' revue lives and dies by the performances of its singers. In this production it thrives. Director Ron Himes has three vocalists — Anita Jackson, Leah Stewart and Willena Vaughn — with three distinct voices, each capable of great power. As the Girl, Stewart sings with an exuberant smile and an infectious optimism that represents youth. Anita Jackson has a diva's flair and the belting power of a classic broad; her renditions of "Take Me for a Buggy Ride" and "Kitchen Man" polish every dirty joke hidden in the poetry of the language, and her "Wasted Life Blues" is emotionally devastating. Willena Vaughn is simply a force of nature. Vaughn's upper register has a 1930s era-appropriate nasal quality, and her low notes have a burr that catches in your heart. She swings through "Stompin' at the Savoy" with exhilarating beauty, and her "Rough and Ready Man" is gutbucket-gold, a snarling, hungry declaration of unrepentant lust. Presented by the Black Rep through June 28 at the Grandel Theater, 3610 Grandel Square. Tickets are $17 to $43 ($5 discount for students and seniors; $10 rush seats available for students 30 minutes before showtime). Call 314-534-1834 or visit www.theblackrep.org. (PF)

Everything in the Garden Reviewed in this issue.

La Bohème Opera Theatre of Saint Louis opens its 34th season with Giacomo Puccini's magnificent tearjerker and all-time-great "date opera." The English translation of Bohème is alive with puns and wordplay Puccini would have loved. Director Tim Ocel and his spirited young cast use this wonderful libretto to paint a lively and vivid picture of a bunch of hipsters and dropouts living the Bohemian life in Paris' Latin Quarter at the cusp of the nineteenth and twentieth centuries. The six principal singers have fabulous stage chemistry. They act as well as they sing — and boy, can they sing. Through June 27 at the Loretto-Hilton Center, 130 Edgar Road, Webster Groves. Tickets are $25 to $117 ($15 for students, K-12 teachers and active military, subject to availability). Call 314-961-0644 or visit www.opera-stl.org. (LP)

The Last 5 Years Theater composer Jason Robert Brown has had the audacity to dissect his failed marriage in this two-character, semi-autobiographical song cycle. Playful yet serious, exuberant yet tender, simple yet labyrinthine — there has not been a more ambitious or rewarding musical in recent memory. Jamie tells his version of what went wrong in sequential order; Cathy starts at the end and sings her way back to happier times. Though there's not a lot of space onstage, actors April Strelinger and Jeffrey M. Wright find all the room they need between the lyrics. The Last 5 Years is only 85 minutes, but we leave the theater knowing we've seen something both joyous and artful. Produced by New Jewish Theatre through June 21 at Clayton High School's Little Theatre, 2 Mark Twain Circle, Clayton. Tickets are $28 to $30 ($2 discount for seniors and JCC members). Call 314-442-3283 or visit www.newjewishtheatre.org. (DB)

The Merry Wives of Windsor This summer's annual offering from Shakespeare Festival St. Louis is an amiable romp. For four centuries critics have had little good to say about this featherweight comedy in which the mischievous Sir John Falstaff (John Livingstone Rolle) attempts to woo two married women. But director Jesse Berger has brought an admirably specific approach to the material. How refreshing to see a production of Shakespeare where we know where we are and who is who. These characters actually have motivations for their often-foolish behavior. Foremost among the performers is Daniel Talbott, whose portrayal of a jealous husband would be worth the price of admission (if there were an admission). Talbott never puts the text ahead of the character, yet he makes sure the audience can follow every word he says even as we understand every emotion he's feeling. This is how Shakespeare should be acted. Performed nightly (except Tuesdays) through June 13 on Art Hill in Forest Park. Admission is free. Call 314-531-9800 or visit www.sfstl.com. (DB)

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