By Sam Levin
By Jessica Lussenhop
By Sam Levin
By Timothy Lane
By Sam Levin
By Dennis Brown
By Chris Parker
By Sam Levin
Hard to believe, but Unreal was actually issued full-access press credentials to All-Star Week. With a foot in the proverbial door, we were pumped to spend five days busting Bud Selig's chops, offering pitching tips to President Obama and asking Ryan Franklin about that dead animal strapped to his chin.
Alas, the Cardinals know us too well. Two days before the festivities kicked off, we were informed that our behind-the-scenes passes had been — gasp! — revoked. The reason: RFT published the home addresses of a few past and present Cardinal greats in our spiffy Riverfront Times Guide to All-Star Week.
In protest, Unreal pointed out that the information is public record and easily accessible on St. Louis County's website. The Redbirds' media-relations honcho replied that we had made it "too easy," presumably for potential stalkers and gawkers. And besides, he added, RFT has a history of "misbehavior" when it comes to these kinds of things.
"You should have asked our permission," was his final retort. Oh yeah, simmered Unreal, maybe the club should have consulted us before signing Khalil freakin' Greene.
After the aforementioned door to baseball paradise was slammed in our face, it dawned on us: We don't need no stinkin' press credentials. Roughly a quarter million people were expected to visit downtown during All-Star Week, and come Hell or high water, Unreal would be among them, Budweiser in one hand, a digital camera in the other.
In the end, Unreal did manage to swing a pair of tickets to the midsummer classic, but most of our time was spent in, ahem, foul territory. We attempted to crash nearly every event in town. We staggered into every dive between Laclede's Landing and Busch Stadium and then sipped cocktails at the swankiest clubs in town. If anyone was an All-Star last week, it was Unreal's liver. Somehow we managed to keep a running diary, the highlights of which are transcribed below.Friday, July 10 — 8:47 a.m.
As we head toward the entrance on Washington Avenue, we spy a slight, bearded black man in a white Ozzie Smith jersey. He's flanked by a phalanx of big, burly security guards. He doesn't have to do a back flip for us to figure out that it's the Wizard himself. We snap a picture (those bodyguards are huge!) and ponder the fact that both Ozzie and paparazzi are spelled with two Z's. Coincidence? We think not.Friday, July 10 — 9:35 a.m.
There's memorabilia for sale at ridiculous prices, such as a Milwaukee Brewers league championship ring for $557. There's an autograph at every turn. There's enough merchandising, product placement and advertising that Unreal could have sworn we felt our wallet lighten without it ever leaving our pocket.
Our favorite feature, though, is the photo opportunities. There's a place where fans can climb a makeshift outfield wall and pose like they're making a home run-robbing catch. This leads to a plump, middle-aged lady struggling to make it up the rungs. She falls down. The exhibit's helpers hoist her up from behind while she reaches over the wall with her glove and says, "Cheese." A Web Gem if Unreal has ever seen one.Saturday, July 11 — 7:15 p.m.
Suddenly, the real reason Crow was picked to perform dawns on Unreal: She is the Bud Light of music. Not much flavor and a little watered down, but with enough "drinkability" to appeal to most everyone.Saturday, July 11 — 10:12 p.m.
Everywhere, it seems, a makeshift bar has been set up on the street. On one corner, a group of college-aged girls are swilling beer from large plastic pitchers. Across the street, a trio of St. Louis police officers observes the rowdy scene with complete indifference. One officer informs Unreal that the force received orders to turn a blind eye toward public drinking over the weekend. The out-of-towners love it.
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