Featured Review: The Language of Objects: New Works by Jane Birdsall-Lander and Jo Stealey In Jane Birdsall-Lander's Bound Alphabet, salvaged wooden canes and scythe handles are bent into smoothly undulating pieces that recall the curves of the body or the bodies of musical instruments; the forms branch out into hands, repurposed from wooden drawing models or join to create, say, an eyelike shape with cello-peg lashes. Each piece in the series was crafted to correspond with a letter and to the physical symbols from which that letter was derived, evoking a primitive communicative sense somewhere between music and poetry. In Jo Stealey's Forest, parched and leafless tree trunks and massive blanched stones cluster in outsize proportions and appear like a dark children's-book illustration made surreally three-dimensional. The work is crafted out of paper pulp, and while it looks leaden, it is in fact nearly weightless. There's something essentially elemental about these works, which repurpose nature in order to plumb nature, and which, simultaneously, reveal themselves as wholes to be comprehensively marveled upon and as collections of meticulous acts and essential elements to be read for intricate meaning. Through January 16, 2010, at the Sheldon Art Galleries, 3648 Washington Boulevard; 314-533-9900 or www.thesheldon.org. Hours: noon-8 p.m. Tue., noon-5 p.m. Wed.-Fri., 10 a.m.-2 p.m. Sat.
Photograph by Cary Horton, courtesy of the artist
Jane Birdsall-Lander, Listening Eye, 2009, wood snathe, wood, violin and cello pegs, waxed linen, pigment, 57 x 22 x 2 inches.