Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of St. Louis's most popular hot spots.
user content provided by: LikeMe.net & Riverfront Times

National Features >

  • Miami New Times

    Fidel Castro Needs a Hug

    It's not easy sharing a name with Miami's most hated despot.

    By Gus Garcia-Roberts

  • City Pages

    A Teabuggers' Odyssey

    A Minnesota boy's rise to power in America's right wing.

    By Andy Mannix

  • Phoenix New Times

    Dead to Rights

    Even in a Wild West state like Arizona, killing someone in self-defense is a complicated affair.

    By Ray Stern

Paramore

7:30 p.m. Tuesday, November 3. The Pageant, 6161 Delmar Boulevard.

Share

  • rss

By Annie Zaleski

Published on October 26, 2009 at 4:07pm

Paramore recently had to delay the start of its fall tour because singer Hayley Williams needed some voice rest. The delay was not only smart, it was necessary: The pint-size dynamo is the heart, soul and figurehead of the Nashville band. (Credit her diary-entry lyrics, carrot-colored-hair and penchant for wearing daring fashion items, such as bright yellow pants.) But Williams' searing honesty wouldn't work so well if her bandmates weren't also becoming formidable musicians in their own right. Paramore's latest album, brand new eyes, shows off an impressive range of styles — Death Cab for Cutie-caliber indie-pop, punk-pop, folksy ballads and chugging alt-rock. Williams too has never sounded more confident or mature. Heck, she even resembles Kay Hanley of Letters to Cleo on "Turn It Off."