By Christian Schaeffer
By Daniel Hill
By Joseph Hess
By Joseph Hess
By Allison Babka
By Gina Tron
By Kelsey McClure
By Roy Kasten
The Old Rock House (1200 South Seventh Street; 314-588-0505) opened in July 2007. Since then, the multi-level club/restaurant has hosted an array of live concerts, events and performances. However, the venue has big plans for 2010 and beyond.
Starting February 1, Tim Weber, who booked the original Mississippi Nights, will take over that position at the Old Rock House. (For the record: This new job does not have anything to do with the old club.) Although local bands will still be an integral part of the club's concert schedule, Weber is making a concerted effort to "bring in a wide range of national stuff."
"We're going to bring in everything and try and make this really have a more listening-room-style vibe to it, a nice, laid-back place to come, grab a bite to eat, enjoy happy hour, stay that night and catch a band," he says.
Besides the previously announced Evan Dando solo show on February 16, national artists confirmed to appear next year include indie-pop artist Sondre Lerche (February 15), twang stalwarts Backyard Tire Fire (April 2) and New Orleans rockers the Radiators (February 18). Special engagements include a February 4 acoustic evening with Asobi Seksu, a two-night solo acoustic stand with roots-rock favorite Todd Snider on February 26 and 27 and a "This Valentine's Got the Blues" February 14 dinner party with Janiva Magness, the Blues Music Awards' 2009 Contemporary Blues Female Artist of the Year.
Weber says that the venue is aiming to have live music five nights a week, from Tuesday through Saturday. (It'll have the option to be open on Sundays or Mondays if national acts roll through town.) Some shows will be all-ages, while others will be 21-plus. The restaurant's menu is also being revamped, and food should be available in the basement during shows.
"We want a customer-friendly experience and, of course, a band-friendly experience," Weber says. "But we want to be able to look at this from everybody's sides and have a large number of people really feel comfortable walking in the door."
The Old Rock House's initial capacity will be 375 people, although that number is expected to rise to around 500 within the first few months after Weber takes over.
Having another room of this size in town might raise some flags — clubs close to that capacity include Off Broadway, the Firebird, Saint Louis University's Billiken Club and Blueberry Hill's Duck Room — but Weber is confident that the city can support all of these venues.
"All those places have found a niche," he says. "They're very segmented as far as what they're going to do and what they're really going to pull off well. We're going to try to come in and find our own niche, find our own things [that] we can pull off well — and only do things that we can pull off well.
"I've always been the guy who, if I don't think this is the right room for a band, if I don't think this is going to help further the band's career, I don't do the show. It has to be a partnership. If something comes in and [the agents] say, 'You know what, it's got more of an underground vibe,' maybe the Firebird's the place for it. Or if it's got that hippie-indie vibe, maybe Off Broadway's the place for it."
In the future, DJ nights are a possibility, as are outdoor concerts in the vein of this year's Loyal Earth Festival.
"The music business has changed so radically over the last decade that there's no shortage of bands running around out there who can fill up a room like this," Weber says. "[For] some of them [it] will make a lot of sense to go to one venue over the other. We just want to present ourselves as a different choice.
"And for me, when I walk in here and look around this place, as compared to walking around other places, the choice that you're making here is really obvious. It's just a beautifully rehabbed room — no expense has been spared in making this a comfortable, creative, exciting place to come and enjoy a concert."
The Old Rock House will be closed for two weeks in January to "reconfigure the building," which will include adding a greenroom for artists and improving the sound system.