Featured Review: Karin Hodgin Jones: Mimetic Labors

Karin Hodgin Jones, Tug (vertical), 2009, 6 by 22 by 2 feet, motors, pulleys, fabric, wood, string.
courtesy Good Citizen Gallery
Karin Hodgin Jones, Tug (vertical), 2009, 6 by 22 by 2 feet, motors, pulleys, fabric, wood, string.

Featured Review: Karin Hodgin Jones: Mimetic Labors This suite of five kinetic sculptures by locally based Hodgin Jones, each entitled Tug, takes as its source material this slight, often imperceptible gesture and magnifies it to produce distinctly stranger resonances. Each piece is a small machine in which a fabric is, yes, tugged at by a system of very thin threads connected to a small motor. Eluding gimmickry, these pieces manage to fixate on the slow landscapes and all-but-disorderly piles that slightly plucked pieces of cloth create. In a wall piece, a length of this semi-translucent material appears to slowly inhale and exhale. On a smaller scale, a tan swath seems to crumple and shakily uncrumple. The whole gallery softly whines with the variously motorized industry of the work, whose exposed engineering and cloth geometries also betray a concern for sly formal abstraction. Through February 13 at Good Citizen Gallery, 2247 Gravois Avenue; 314-348-4587 or www.goodcitizenstl.com. Hours: noon-5 p.m. Fri.-Sat. and by appointment.

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