Featured Review: Eden Harris: Out of the Woods This delicate suite of works on paper focuses on the intricacy of leaf and floral growth and the natural geometry of the hornet's nest. Pieces of white paper are cut into porous, repetitive patterns and dangle on pins an inch from the wall, allowing the hand-tailored scrims to lightly shiver at the viewer's passing and cast a duplicate pattern in shadows on a blank sheet behind it. Other pieces are cut into hivelike shards, the removed hexagonal shapes smeared with a webbing of paper pulp and hung like a flat constellation of semi-abstract shapes; an enormous (and dormant) hornet's nest sits menacingly on a pedestal beneath them. The work vacillates between rawly tactile and severely pristine — a tension that reflects back on its natural source, which is as wild as it is algorithmic. A Theodore Roethke poem, "The Manifestation," prefaces the show; one line reads like a declaration of purpose for the elegantly simple work: "What does what it should do needs nothing more." Through June 5 at PSTL Gallery at Pace Framing, 3842 Washington Boulevard; 314-531-4304 or www.paceframing.com. Hours: 10:30 a.m.-5 p.m. Tue.-Sat.
Eden Harris, Untitled (detail), 2010, hand-cut paper, natural fiber pulp.