Featured Review: A Day Like Any Other

Featured Review: A Day Like Any Other
Benoit Pailley
Installation view of First Love (2005) from Rivane Neuenschwander: A Day Like Any Other, New Museum, New York, 2010. Courtesy of the artist; Tanya Bonakdar Gallery, New York; Galeria Fortes Vilaça, Sao Paulo; and Stephen Friedman Gallery, London.

A Day Like Any Other This mid-career survey by 42-year-old Brazilian artist Rivane Neuenschwander features a suite of works that function like trenchantly clever pop refrains. The media are wildly diverse — installations, video, drawing, painting — but the constant is a core engine of simple play. In Rain Rains, silver buckets filled with water hang from the ceiling, dripping into buckets placed below. Holes punched from the text of 1001 Arabian Nights are scattered on black pages of paper, creating constellations made to mark every day of the exhibition. A soap bubble is filmed as it eludes bare light bulbs, hallway corners and kitchen cabinets in an empty urban apartment, in a poetical homage to Roman Polanski's paranoiac 1976 film The Tenant. Viewers are invited to make an appointment with a police sketch artist to whom they can describe their first love and have that love rendered, in a piece after Samuel Beckett's early novella First Love. And in Involuntary Sculptures (Speech Acts), the twisted tin labels and paper straw wrappers wadded in the hands of nervous bargoers are displayed in white vitrines. Time, perception and the bare inevitability of gravity, weather and idle hands are the operable mechanics, here, creating an elegantly blithe portrait of the weighty elements that encumber us. Through January 10, 2011, at the Mildred Lane Kemper Art Museum, Forsyth and Skinker boulevards (on the campus of Washington University); 314-935-4523 or www .kemperartmuseum.wustl.edu. Hours: 11 a.m.-6 p.m. daily (closed Tue., open till 8 p.m. Fri.).

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