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Reviews

  • Barnes and Ignobles: The battle over a Philadelphia art collection — as culture, money and power collide — in The Art of the Steal
    By Melissa Anderson
    Wednesday, March 17
    Matisse called the Barnes Foundation "the only sane place to see art in America." But the clamor over moving one of the world's foremost... More >>
  • Green Zone
    By J. Hoberman
    Wednesday, March 10
    Better late than never — a bang-bang pulse-pounder predicated on the Bush administration's deliberate fabrication of WMDs in Iraq, Paul... More >>
  • Brooklyn's Finest
    By Robert Wilonsky
    Wednesday, March 03
    All that remains of Antoine Fuqua's Training Day is Denzel Washington's Oscar-winning performance, his baddest and best. The rest of the movie? A... More >>
  • Fish Tank
    By Ella Taylor
    Wednesday, March 03
    Katie Jarvis, who makes her acting debut as a rabid teenager in writer-director Andrea Arnold's Fish Tank, was discovered on an English railway... More >>
  • Cop Out
    By Karina Longworth
    Wednesday, February 24
    Cop Out establishes its movie lineage right away, with a slow-motion toe-to-head tilt up, set to the Beastie Boys' "No Sleep Till Brooklyn," of... More >>
  • The White Ribbon
    By J. Hoberman
    Wednesday, February 24
    The White Ribbon is Michael Haneke's first German-language film since the original Funny Games (1997) and, addressing what used to be called "the... More >>
  • Shutter Island
    By Nick Pinkerton
    Wednesday, February 17
    Martin Scorsese's Shutter Island, a florid art shocker that Paramount welcomed into the world with the strained enthusiasm of a mutant baby's... More >>
  • Valentine's Day
    By Karina Longworth
    Wednesday, February 10
    In Pretty Woman, director Garry Marshall's personal cinematic high score, the opening credits close (and the closing credits open) with the voice... More >>
  • 35 Shots of Rum
    By Melissa Anderson
    Wednesday, February 10
    Recent American films about families, like last year's Rachel Getting Married and Revolutionary Road, all too often pierce eardrums with... More >>
  • Police, Adjective
    By J. Hoberman
    Wednesday, February 03
    Detective stories imply that mysteries can be solved, or at least rationally explained. Even the most debased example is a secular article of... More >>
  • From Paris With Love
    By Nick Pinkerton
    Wednesday, February 03
    As personal assistant to the U.S. Ambassador to France, James Reese (Jonathan Rhys Meyers) can keep himself in well-tailored suits and keep his... More >>
  • Bad Lieutenant: Port of Call New Orleans
    By J. Hoberman
    Wednesday, February 03
    The joke's on someone in Werner Herzog's awkwardly titled Bad Lieutenant: Port of Call New Orleans. Possibly Abel Ferrara who, exploding in fury... More >>
  • Edge of Darkness
    By Nick Pinkerton
    Wednesday, January 27
    Did you shoot my daughtah?" is the question posed, in flat-voweled Bostonian, in the trailer for Edge of Darkness. And Mel Gibson, much-bereaved... More >>
  • Crazy Heart
    By Nick Pinkerton
    Wednesday, January 20
    Yesterday's honky-tonk hero, Bad Blake, arrives at a Clovis, New Mexico, bowling alley. It's another in a string of low-pay, low-turnout gigs... More >>
  • Lovely Bones
    By J. Hoberman
    Wednesday, January 13
    A one-film cabinet of curiosities, The Lovely Bones turns the most successful CGI director of the '00s loose on one of the decade's prime... More >>
  • More Reviews >>

BLOGGING FROM SUNDANCE

New in Theaters

Box Office

  1. Alice in Wonderland, 62.7 mil, 209.3 mil
  2. Green Zone, 14.3 mil, 14.3 mil
  3. She's Out of My League, 9.8 mil, 9.8 mil
  4. Shutter Island, 8.1 mil, 108.0 mil
  5. Remember Me, 8.1 mil, 8.1 mil
  6. Our Family Wedding, 7.6 mil, 7.6 mil
  7. Avatar, 6.5 mil, 730.3 mil
  8. Brooklyn's Finest, 4.5 mil, 21.5 mil
  9. Cop Out, 4.3 mil, 39.5 mil
  10. The Crazies, 3.7 mil, 33.4 mil
Movie Title, Weekly Earnings, Total Earnings

Trailers


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