Christopher Nolan's ponderous, pontifical action movies are written less as screenplays than as operator's manuals, guiding an audience through assembling their important themes while scrupulously making sure you don't miss a thing. This is as true of Inception, with its reams of expositional walk-through, as of Nolan's superhero saga, now swollen into a trilogy in which the dramatis personae are always stepping up to identify themselves in statements of principle. All of the on-the-nose speechifying (scripted by Nolan and his brother, Jonathan) keeps the runtimes long, while the drum-tight rule of schematic relevance shuts out anything resembling wit, spontaneity, and... More >>>