Would you willingly go to a play that fiddles with the accepted notions of linear time, one in which performers act out a scene, then return to their marks and act out the same scene again? Would you attend a play that uses one set for two locations simultaneously, resulting in three actors sitting on the same couch in one scene, but two of the actors are together in apartment A and one is alone in apartment B, and it's up to you to determine who is with whom? Would you conceive of spending your money on a play that features a male lead who witnesses the Gospel of Jesus Christ at least twice in full, and not to make him a punch line, but because it means... More >>>