Too much is never enough for fashion designer turned filmmaker Tom Ford, whose debut feature flaunts its capital-A Artiness the way some Napoleonic gym rats flaunt their overdeveloped musculature. Unlike his fellow art-house Michael Bays — Julie Taymor, Julian Schnabel, and Baz Luhrmann — Ford doesn't whip his camera into dizzying blurs, chop his scenes into abstract fricassées, or subject us to elaborate acid-flashback fantasy sequences; he does, however, share their affection for art direction over actual direction, and for extravagant surfaces over the lower depths of meaning and emotion. Based on Christopher Isherwood's... More >>>