Subject: Debbie Harry

• St. Louis Video: Deborah Harry, "French Kissing in the USA"

  September 18, 2008

• Vintage Photo: Blondie's Debbie Harry Chills Out

  Remember when I mentioned yesterday that a recent Vintage Vinyl buy included some random pictures of famous bands in casual settings? Here's a cool one of Blondie's Debbie Harry chilling out...somewhere.

  December 9, 2008

• Tube-Tied

  March 24, 1999

• The Action Design

  November 21, 2007

• Blondie on Blondie

  April 21, 1999

• Critical Fatwa

  Lindsay Lohan

  July 6, 2005

• The Sounds/Morningwood

  Tuesday, April 25, at 7:30 p.m. Mississippi Nights (914 North First Street).

  April 19, 2006

• Finest Workshows

  A Michael Stipe speech actually tugs some heartstrings

  October 27, 2004

• Gabba Gabba Henh

  The Ramones bopped toward history and an unhappy end

  September 29, 2004

• The Sorrow and the Pity

  In a year of big-screen sadness, our critics comfort those who triumphed

  December 31, 2003

• Fixin' to Die

  My Life Without Me strums lively chords in the face of death

  November 5, 2003

• This Week's Day-by-Day Picks

  July 2, 2003

• Film Openings

  Week of July 17, 2002

  July 17, 2002

• Destroy All Monsters Survey Opens at White Flag Projects This Weekend

  On Saturday night, a very cool exhibit is set to open at White Flag Projects. Destroy All Monsters: Hungry for Death is billed as "a survey of survey of artwork, music, video, and archival material by the seminal pre-punk/psychedelic noise group and art collective Destroy AllMonsters." Founded in 1973 in Detroit, the original collective included Mike Kelley, Cary Loren, Jim Shaw and front woman Niagara. (Her website says Debbie Harry, Patti Smith and Chrissie Hynde "borrowed from the Niagara pun

  September 14, 2009

• MP3 Bonanza for Tonight's Shows! Lou Barlow and Dinosaur Jr, The Action Design, The Shaky Hands

  The Shaky Hands​ The Shaky Hands Where: The Firebird With: The Mhurs Sounds Like: "If Mott the Hoople and Dr. Dog had a baby, it would be called Tom the Poodle, and it would sound like the Shaky Hands. The Portland band's no-frills, all-boogie presentation reclaims the spirit of the blues-jamming early '70s -- without relying on girl jeans and mustaches. On the group's fourth album (second on Kill Rock Stars), Let It Die, the fidelity is low, and the swagger is high, making gems such as th

  October 14, 2009