Man of La Mancha Set in a prison during the Inquisition, Man of La Mancha invokes a "think positive" approach to transforming your life: If you can Dream an Impossible Dream, you can survive. If you don't mind such a pie-in-the-sky worldview, New Line's gritty production has much to recommend it. Powerful performances by Todd Schaefer and April Lindsey as Don Quixote and Aldonza provide the anchor, while supporting players Brian Claussen, Thom Crain and Jason Weitkamp pitch in with humor and haunting harmonies. Director Scott Miller's in-the-round staging is eye-catching, the lighting and musical work excellent. Be forewarned: Miller turns the evening into a kind of Survivor exercise for the audience, adding a confusing pre-show sequence and opting out of an intermission (be sure to pee before you take your seat). Through October 23 at the ArtLoft Theatre, 1527 Washington Avenue. Call 314-534-1111. (DJ)
The Philadelphia Story Philip Barry's 1939 romantic comedy about the foolish foibles of the rich is one of the few hardy survivors from a decade in which there wasn't a lot to laugh about. The over-plotted script is more than a little confusing, but it still elicits laughs. In Tracy Lord, a role that was tailor-made and written-to-order for Katharine Hepburn, an actress is allowed to display an uncommonly wide swath of emotions. Meghan Maguire strides through the part with confidence and poise. Although she receives solid assistance from Anthony M. Mullin as ex-husband C.K. Dexter Haven, among others, it's Maguire's robust backstroke that eases an at-times-brittle play smoothly into port. Performed by Off Center Theatre Company through October 17 at St. John's United Methodist Church, 5000 Washington Place (at Kingshighway). Call 314-995-2679. (Dennis Brown)
The Real Thing Witty words and some nostalgic rock & roll are the best elements of this Tom Stoppard script. Joe Hanrahan plays Henry the playwright with energy and conviction -- he's a very interesting character stuck in a mediocre play. The bright wordplay of the first act fizzles in the second, as Henry tries to unravel the complexities of life and love. Henry's House of Cards is criticized for hinging on a silly secret; The Real Thing also hinges on a secret, about how Henry's wife Annie and political prisoner Brody became acquainted. But by the time it's revealed, the secret doesn't really seem important, and while the scene is very well played (Troy Schnider gives Brody a convincing air of superiority), it's an unsatisfactory ending. Nice supporting work by Bill Stine enlivens the first act, and the configuration of the Little Theatre allows the audience to see the stage crew peering over the top of the set -- an interesting Brechtian effect. Produced by Clayton Community Theatre at Clayton High School, 1 Mark Twain Circle, through October 17. Call 314-854-6646. (DJ)
Triple Espresso Move over, Nunsense and Forever Plaid. Here comes another crowd-pleasing phenom that's shamelessly determined to make you laugh. As this reunion of a 1970s musical trio plays out at the Triple Espresso nightclub, the evening is not so much a play as a series of set pieces. Some are more amusing than others, but if you ever wondered how the Three Stooges would attack Chariots of Fire, this is the show for you. In their determination to amuse, the three performers (Patrick Albanese, John Bush and J.C. Cutler) effect a take-no-prisoners approach to the material. A viewer's best response is simply to surrender early and laugh along with the crowd. Through December 28 at the Grandel Theatre, 3610 Grandel Square. Call 314-534-1111. (DB)
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