The Lost City. (R) Andy Garcia's film set amid the Cuban Revolution stylistically revisits The Godfather, complete with multi-scion-in-tuxes dynasty, formal translated-to-English patois, deep umber shadows, concerns about "respect," meetings with sly Jews (Dustin Hoffman as an inscrutable Meyer Lansky) even an old-timer (Richard Bradford) having a coronary in a sunny garden. In production for two decades or so, Garcia's pet project (written by the late novelist and critic Guillermo Cabrera Infante) focuses first on three upper-class brothers (played by Garcia, Nestor Carbonell, and Enrique Murciano) as the 1959 usurpation looms. Staged with credibility and loads of Cubano flair, the film slows to a sludgy crawl amid the reactionary romanticism; like a rumba-inflected Gone With the Wind, Garcia's tale bemoans the loss of easy wealth for a precious few. Poor people are absolutely absent, as if peasant revolutions happen for no particular reason. (Michael Atkinson) PF
X-Men: The Last Stand. (PG-13) Reviewed in this issue. (Luke Y. Thompson) ARN, CPP, CGX, CW10, CC12, DP, EG, EQ, GL, J14, MR, OF, RON, SP, STCH, STCL, WO
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